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Rieke Schmidt is the pastor of the Protestant congregation of Nazareth Church in Munich-Bogenhausen. The unconventional minister is fully absorbed in her job, which is especially hard on her 19-year-old daughter Leonie. She has traveled to Munich from Helsinki during the short semester break to spend some time with her mother, but once again she has her hands full. Especially as she has a new colleague, priest Toni Seidl, whose charm is causing her a lot of turmoil. She also has to take care of the many worries in her parish, especially her best friend Petra Keller, whose daughter Jessica, Rieke's godchild, has leukemia...

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He was a student activist, an urban guerrilla, a taxi driver; Joseph "Joschka" Fischer emerged from the Extra-parliamentary Opposition (APO) to become Hessen's trainer-clad environment minister and Germany's suited and booted foreign minister. Director Pepe Danquart follows Joschka's colourful life through six decades of postwar Germany from the phoney fifties, to the wild APO days, through the "leaden times" of RAF-terror and on to the advent of the anti-nuclear movement and the birth of the Green Party, then all the way up to fall of the Berlin Wall and Germany's first red-green coalition. Danquart's film is a time machine hurtling through the decades with Joschka at the helm gazing out - often in astonishment - at the epochs that shaped him, as he did them. JOSCHKA AND SIR FISCHER reaches far beyond biographic narrative.

One day, the happily married Karl Lehmann is asked by his single colleague, Mrs. Schmidt, for an unusual service: She wants a child. Lehmann is willing to help. His wife Inge and Mrs. Schmidt have a child at the same time, and since the women like each other, they make an agreement. They share Karl Lehmann. One week Inge gets him, one week Mrs. Schmidt - always alternating. It could be nice if it weren't for the prudish, shocked or even envious people around them. However, some see it in a positive light. A Mr. Schmidt is interested in Inge's week off and a colleague Lehmann is interested in Mrs. Schmidt's week off. And it's not long before Mr. Karl Lehmann is booted out and seeks refuge with a waitress.

An elderly woman calls the Berlin police claiming she had observed a murder while she was looking out her backyard window - in all parallels to Hitchcock's film classic “Rear Window“ - that had been aired just the night before on TV. The investigators are in doubt: Was ist just imagination? Or ist there more evidence? As the alleged murderer claims that his wife - the victim in question - was on a trip to Lisbon by train, all the detectives can do is wait and gather additional information.So the investigators sit with the woman and observe the suspect. Two days later they finally reach the suspect's wife by phone in Portugal. The hotel clerk confirms her identity. The next morning, police find that the elderly witness has disappeared. Not before long, the Portuguese police inform their German colleagues that they have found body parts of a woman, likely to be identical with the German woman.

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

Marriage swindler Herbert Krugschenk is a master of his trade. His success is based on meticulous planning, and his wife "Schnuck" is responsible for this. Herbert's life is promptly turned upside down when she dumps him one day. At least the way is now clear for the big coup that his wife has always warned him about: Herbert and his son travel to Switzerland to make a pass at rich widows and fail all along the line.

Unfortunately, Fanny can only enjoy her unexpected wealth for a short time. The tax office asks her to pay a hefty inheritance tax. Because of the valuable property, she has to pay far more than she was bequeathed in cash. Debts again - and her "crazy" half-brother Elias on top of that? She would like to get rid of him as quickly as possible.